"...It is my belief that she will make a significant career for herself on the operatic stage..."
“…Isolde Roxby brings glowing substance to Princess Aurora’s sweeping lines…”
Yehuda Shapiro, The Stage’ 
“…Isolde Roxby’s outstanding Aurora. Pleasantly rounded both vocally and in her characterisation..." Mark Valencia, Bachtrack 
“…The Aurora of Isolde Roxby, by far the biggest role in the opera ... rewarded the confidence placed in her with an account of the role which was generous in its lyricism, poignant in the pain of its self-discovery and completely mesmerising … compelling performance…”
Robert Hugill, Planet Hugill 
“…Isolde Roxby proving exceptional as the Princess as her lyrical yet sensitive soprano is put to excellent use in conveying the various stages that the character goes through across the drama…”
Sam Smith, Music OMH 
“...Isolde Roxby as Princess Aurora sings, and acts, the role with total commitment and a bright soprano voice that would be ideal in Mozart operas…”
Plays to See 
“…As Tatiana Isolde Roxby makes the right journey from passionate naivete to poised, careful experience. Her ‘letter’ scene was the highpoint it should be, both musically and dramatically…”
Live Theatre UK 
“…admirable performance… Roxby manages the demands of the famous letter scene with warm tones and a real understanding of the emotional torment that leads Tatiana to take such an unconventional step…”
Plays to see
“"…Isolde Roxby has an absolutely stunning voice and gives a wonderful performance encapsulating every part of Tatiana’s innocence and delicate suffering. In the Letter Scene, her performance is filled with sorrow and fragility. This contrasts with the final scenes...Her voice soars as she tells Onegin to leave her alone…”.
“…fine dramatic singing here from Isolde Roxby… expertly navigate a mixture of languages and composers to create consistent characterisation”
The Gizzle Review 
"...Isolde Roxby was a wonderfully ‘genuine’ Cendrillon, delivering the sung and spoken text assuredly, with thoughtful interpretative gestures and a beguiling sweetness of character and tone..."
Il Letto is the story of the Puccini scandal which took place in 1909 in . There are so many twists and turns to this story, researching it in its entirety is slightly surreal. Every new detail you hear just gets weirder and more unbelievable. This production focuses o...
We are at the start of a new year and hopefully only a few weeks away from some warmth, blue skies and new life. I am looking forward, with much delight, to a long-awaited weekend away in Weybridge before things become hectic again but, before th...
This newsletter, I have some media to share with you as I am very fortunate to have now received most of the footage of my performances this year. The final footage of 'Mad King Suibhne' is just being finished and will be available very soon. I als...
It has been an amazing couple of months in my (still very new) career as a freelance opera singer and I wanted to make sure I shared some of what I have been up to with you all. Apart from everything below, I am also very excited because I have o...
Dearest sponsors, family, friends, colleagues and mentors....
I have added you to a mailing list because you have helped me in some way (whether financially, musically or just by being your good self) and/or you have expressed an interest in being kept up-to-date in wha...
I will be performing the role of Belinda in one of my favorite operas 'Dido and Aeneas' with the Helios Collective. This is the second time I will be performing this opera at King's college London this time in the soprano role. It promises to be a very interesting prod...
So I just finished working at Buxton Festival in the chorus. I was on stage for two of the operas 'Leonore' (Beethoven's first draft of 'Fidelio) for which I was also covering the role of Marzelline and also chorus for Bellini's 'i Capuleti e i Montecchi'. I sang in th...